



What would I do without a mind?
What would I do without a society to shape that mind?
To influence it?
To taint it?
To glorify it?
What would I do without the memories of such glory and such tache?
An orphan on a deserted island, with nothing from the outside world,
save the produce of Nature which surrounds me.
I suppose I would be free....




'My country, right or wrong' is a thing no patriot would ever think of saying except in a desperate case. It is like saying 'My mother, drunk or sober.'
"Identification with the rag called the national flag is an emotional and sentimental factor and for that factor you are willing to kill another - and that is called, the love of your country, love of the neighbor . . .? One can see that where sentiment and emotion come in, love is not."
Most of my recollections are from the time when we bought a National Panasonic two-in-one music system (the first in the entire family). I recall my uncle brining it with him to Bombay (where we lived) and I enjoyed it. When he was leaving, everyone told me that he was taking it back and what was placed on the shelf was actually a cardboard replica! I wept my heart out and perhaps even hated my uncle for doing this to me. I realised the prank later on, and felt rather stupid though infinitely more relieved that my music system was still with me. I listened to my first Michael Jackson and Madonna tracks on it (blue and white Maxwell brand cassettes).
A man once told another man that he should give up his personal religious practices as he was likely to travel abroad and sticking to such practices was ridiculous and impossible to follow and that he would have to be practical and give it all up.
Belgium and other European countries have banned people from wearing the veil. Governments now consider themselves to be in the rightful position to decide on the wardrobe contents of the residents.
These and several such examples are the kinds that people are proud of. Today is not about being tolerant but about refusing allegiance. People who are, in their personal capacities, aligned with a belief system which is unlike what is popularly accepted, are ostracised to varying degrees. Today it is not important to understand and hence, accommodate each person's individual preferences. When people have a particular set of rules for their home, then they are considered conservative or old-fashioned. The same approach is acceptable at the work place (though even that is now being considered old-fashioned and newer companies think that allowing their employees to come in shorts and torn clothes is being tolerant).
The human mind is uncomfortable in the midst of people who are different. Hence, there is a constant attempt to homogenise. Religion is one such attempt. National boundaries and patriotism are also similar strategies (though it tends to unite by dividing). Try standing in the midst of a gathering on Independence Day and, once the anthem is over, state clearly that you have the least feeling of patriotism! And these very same people, who frown at you and ensure that the distance between you and them is ever increasing, will claim that they are very open minded and tolerant.
I call it lazy tolerance, because these people would rather distance themselves from taking a stance because it involves a lot more work and the effort is significantly more than giving in and acting tolerant. The intelligence and goodness required to understand is simply not as interesting as an episode on your favourite sitcom. When we were kids it was called peer pressure and resulted in every young lad wanting to take a swig and every girl wanting to have a boyfriend. Then we were excused as not being mature enough, but when that continues into one's youth and mid-life then it is no longer something one can roll eyes about. People find it largely convenient to not have to follow rules, or strive to understand why someone has a particular set of preferences. I can only imagine what Muslim girls and boys must be going through all over the world when they want to adopt religious practices that they were raised in. The very Westerners who denounced this practice as against their "democratic" spirits have to face research which hints at religious fanaticism being at the root of the inability to realise the brotherhood preached in churches.
Each person is allowed to choose their preferences, practices and beliefs. This is usually uncomplicated as long people are individual entities. When they get into relationships such as marriages, employment, friendship, etc. then their persona would have to be adaptable to these settings. If I join a legal firm, I cannot go to court in striped pajamas (at least in India). If I am getting married to a woman who loves her job, then it is unreasonable of me to expect her give it up for an opportunity that I am getting in some remote place where she has little opportunity. If my friend cannot afford parties and living a lavish life, then I would tune my interactions with him such that he doesn't feel awkward. If I am an island, then my preferences should be largely uninfluenced. If I find the environment unacceptable, I search for one which is conducive to my personality.
Unfortunately, the world has come to become a place where being progressive, tolerant and open-minded are confused and people have come to believe that having any religious, cultural, regulatory, societal and personal affiliations is old-fashioned. In other words, if you can claim that you don't care about any religion and disrespect all tradition and cultural norms and love to break all rules, then you are open-minded! I fail to understand how that can be so.
As long as people continue to remain uncomfortable in the midst of differing opinions, universal (or even localised) camaraderie is an impossibility. Children are not being educated to appreciate differences but are being groomed to join the coterie with the maximum representation. And then there is the club which believes in being contrarian to all that others say. I see this especially in the arts. There are some true artists who create material which is beautiful whether Avante-garde or not. The rest simply mimic or cause a noise without understanding what they are opposing.
I am reminded of a couple of verses in the Tao Te Ching which speak about benevolence and kindness and how they are the natural consequence of the absence of the Tao. This is applicable to this state of affairs. People have ceased to understand and relate to each other and in that lacuna, tolerance creeps in. When tolerance is difficult, being open minded is essential and in the absence of that, people resort to being progressive.
As long as people continue to be lazy and refuse to expend the required effort to understand other people, they will be kind and grace those people with tolerance and the urge to civilise them (as motivated the East India Company). Mustn't the Koran reading gent and the top-knot donning Kerala Brahmin boy be made to drop their beliefs and be made more open-minded? After all, being open minded is about being closed to individual preferences, isn't it? Being tolerant is to not have any allegiance? Being progressive is to sip your Cosmopolitan and smirk at those who refuse to consume alcohol?

I don't know what made me write that post but I am glad I did as it provided Parvati-ji an opportunity to share a link to some interesting thoughts. I was also reading Flavorpill's recent piece about 20th century's most reclusive writers and J.D.Salinger's obit in the NY Times.
It would be sufficient to read the second link above as it does discuss a similar issue in great depth. I actually had a poem to write about this but thought that I had written too many in the recent past. I loved a sentence in that article: "Virginity is classically the outward sign of spiritual inviolability, of a self untouched by the world, a soul that has preserved its integrity by refusing to descend into the chaos and self-division of sexual and social relations". I recently amused a young friend when he asked me "Do you like dogs?" and I replied, "Most definitely. Anything non-human has my attention."
Today's generation (and I would consider everyone below the age of 50-60 as members of this generation) simply cannot stay alone. When I read somewhere that torture mechanisms included keeping a person in isolation, I wondered (and at the age of 12-13 I wondered a lot) what was so torturous about that. I thought it would be rather normal with the person singing songs and perfecting his voice, creating stories and poems and most importantly, introspecting and learning from previous deeds and re-affirming one's previous decisions based on sound principles (Come, let's away to prison; // We two alone will sing like birds I' th' cage). Recently I counted my book collection (non-technical) till it crossed the 800 tome mark and figured out that if I read them leisurely, I would take 20 years to complete all of them (some are simply too huge) and after 20 years I would most certainly want to re-read the ones which I had read 20 years ago. That would amount to another 20 years! That takes care of 40 years of my life. That afternoon was my happiest in a very long time. And all this in the solitude of my room. And that is when I considered the scenario of not telling anyone about this. What indeed happens to joy if there is none to share it with? Does it lose its lucre!?
I used this question as my lens to view motivations for most action in this world. Would someone become a general manager if there was no one to notice that progress? Would someone hit six sixes in a cricket match if there was no broadcast mechanism to tell the world about it and no newspaper to make a loud noise about it? Consider the complete closure of the advertising industry! No Rs. 210 crore for Dhoni who has done nothing more than play a game occasionally well and get married. Stupidity would be a lot more localised and offer little inspiration for other fools. Do I send my child to painting classes so that he wins the competition in school and make me proud!? What if he alone participated in it?
I realise I am taking the discussion along a different track, but I consider it vital. While the articles above discuss about the reluctance for being alone, I wish to discuss why people cannot enjoy for enjoyments sake. They all probably merge at a point in the self, but that we shall arrive at in another post. I feel people consider an achievement worthless if it doesn't have the sanction and cheers of many more people. Why else would America have so many thousand Halls of Fame? Why else would every single person who can write rush to publish his work? Why will a dancer (and I know a few such specimens) not care about realising the complete beauty of a form but worry more about the dance reviews and how many places have invited her to repeat the same piece over and over again? Why will every sportsman care so much about being a celebrity and not about playing remarkably better than the previous season (do we hear about what a sportsman is doing to ensure that his average score doubles?)?
Because the beauty of an act has been stamped under the incessant cries averring that joy and celebration cannot be done alone. People are depressed (or are told that they must be) if they spend their birthdays alone. People are shocked when they hear that someone simply sat by a lake reading a book throughout the weekend (I would give my right arm to have such a weekend). I had once backpacked to Ooty with no reservations made and a bag full of books and little else. People thought I was angry, depressed, sad and everything other than sensible for having done that.
While one reads this post, one might imagine this to hardly be a significant thing, but consider a whole month where your joys and sorrows and achievements are private, your plans and goals are private, your wounds and accolades are private, your satisfied meal is known to none other than yourself and you already think that I am signing you up for a torturous month of living like a recluse. No! You will still be the same and joke with everyone and eat with everyone and travel in a bus with everyone, except that your life's details are known to none.
I nursed this dream of being published. I sent out my articles (which I haven't yet put up on this blog) to renowned magazines and they all got rejected. I didn't feel sad but kept wondering why I wouldn't get published. I was willing to buy the "Your writing is pathetic" reason but not in the light of stuff that was getting published. Soon I realised that it was quite against my grain. I agree with Salinger: To write and not be published, feels far more honest. There is no pretense about wanting to be a "writer". You simply are that. I read this post now as I type it and realise that anyone could have written this, but that is pointless enough to keep me past my bedtime and have me type away at my computer. Now I automatically delete all calls for submissions not because I consider it wrong to publish but simply realise that it is not something I am comfortable with (sour grapes?).
People ask, why shouldn't you be popular if you are good at something? Why shouldn't I share my joys with the 2252 friends I have on Facebook? Even if it something like "Sunday mornings are so lazzzy"? And here is where I wish to represent all the writers (including the authors of the links above including myself): Aloneness is choice and loneliness is a reaction. If you refrain from making the choice out of fear for the reaction, then it is a matter of concern for you. JK talks along similar lines about boredom and escaping from it (without understanding it) towards entertainment and company and anything that can keep you busy and unconscious. If you are good, you probably will be popular (at least after you are dead, like Van Gogh). But neither is being good nor enjoying the goodness of being thus a collective affair. You cannot vote someone into feeling good about something though that is what is happening nowadays!
The age of celebrity has caused people to fear the consequences of not being heard and known and connected, of not finding "Likes" to reaffirm our choices and tastes, of being the only one to enjoy a quiet evening on the terrace. In the process, a lot is lost and nothing substantial gained. The works that endure the tests of time, have all been created in solitude (Tao Te Ching, Pieta, Hamlet, etc.) and great saints and hermits have found what most of the world craves for, in solitude. Though I do not wish to fight a case for solitude, I wonder how irreversible the effects of the age of celebrity are on the human psyche. For one who cannot be happy in himself, cannot find happiness in many like himself.
Other Links, you might find interesting:
I have been wanting to translate this song for a while. I love this song and it is definitely one of my favourites. Recently a lady wrote me an email which I paste below:
Hello,
I was wondering if you could translate this verse, which is in Hindi, to English.
My friends have expressed what it means, but it sounds peculiar.
You did a lovely job translating the song, "Aaj jaane ki zid na karo"; and I thought you maybe you can have try with this.
"Jab Bhee Khayaalon Mein Too Aaye, Mere Badan Se Khushaboo Aaye"
I would be very grateful if you could.
Thanks
A
It is not often that one receives a request to translate and rarer still based on the goodness of a previous work. I was quite pleased that the love and attention given to the translation of “Aaj Jaane Ki Zidd Na Karo” was communicable and it had reached the far shores of the Western hemisphere (from where A hails). As much as I believe that translations kill the original work or are beautiful in a manner disconnected to the original work (except in being recognized as a translation), I also hold that translations provide an opportunity to recognise the nuances of languages and the possibility of certain expressions which might jar in an ear connected to a foreign tongue. Translations also re-open conversations especially the one in the poet’s mind while s/he was composing the poem. One could never really know what made the poet say something in a particular manner, but to allow the words to buoy one’s imagination, to allowe for conversations around the possibilities and the several interpretations possible, makes translation an interesting indulgence. When in Urdu, one can say Ishq, Pyaar and Muhabbat and shift the window slightly to give you a different view of the landscape of love outside, then it makes for very interesting conversation. To anyone who just said “Oh! They are all the same. E, just romantises things!” here is a line from a beautiful song – Muhabbat bhi na jo samjhe, woh zaalim pyaar kya jaane. I will leave you with that to mull over it and spend wonderful afternoons under the sieved sun thinking about how beautiful that line might be.
The song I am going to translate is from the movie Ghar. This song has been sung by Lata Mangeshkar (and many others thereafter but none matching the sweetness of the original rendition) and composed by Gulzar. The music is composed by R.D.Burman (absolutely brilliant job). The name of the song is “Tere bina, jiya jaaye na”. What I love about the music is the sheer the exultation in the tempo when the song starts. Unlike the mindset of having soft music for ballads, the music is rather energetic but still goes very well with the song. I have known composers who either make the song sound like soft rock music with all the metal and drums. Here is a piece that brings in the energy without making it the focus (ask most people who love this song and they would not praise the energy of the music but usually just the lyrics and/or voice). Of course, this translation is dedicated to A, wherever you are! :-)
Refrain: Tere bina, jiya jaaye na (4)
Bin tere, tere bin, saajana.
Saans mein saans aaye na, oh oh oh.
Without you, my life flows not
Without your (love), without you, my lover
My breath is sans life’s breath.
[Jab bhi khayaalon mein tu aaye
Mere badan se khushboo aaye] (2)
When you fill my mind
My body is fragranced
[Notes for this couplet will be added at the end of this post]
Meheke badan mein raha na jaaye
Raha jaaye na.
In a fragranced body, I can't habit
I can't live then.
[Refrain]
Reshami raatein roz na hongi
Yeh saugaatein roz na hongi
Such silken nights are not forever
Such fortunes are not forever
Zindagi tuj bin raas na aaye
Raas aaye na.
Life without you has no flavour
Flavourless it is.
Here is a snippet of the discussion I had with A.
Jab bhi khayaalon mein tu aaye, mere badan se khushboo aaye
Jab: When
bhi: ever
khayaalon: thoughts
mein: in
tu: you
aaye: come
Mere: my
badan: body
se: from
khushboo: fragrance
aaye: come
As with most good poetry, there cannot be a singular interpretation and definitely not when taken out of context. Here the context is being set for the line that follows "Meheke badan mein raha na jaaye, raha jaaye na". Else, that singular line, would sound too unctuous (IMO). And, with every interpretation comes a translation.
What the poet might be trying to say is:
"Whenever I think of you, my entire body is fragranced" which is rather terse and does injustice to the poet.
"When you come to my mind, you fill my body with a wonderful fragrance" would be the normal interpretation.
I would look at it differently:
"When you fill my mind, I smell (of) our beautiful union (hence, the fragrance)" which then fits with the next line "And in such a fragranced body (reminding me of our union), I am left breathless"
(Mehake badan mein, raha na jaaye, simply means that "In that fragranced body I am unable to live").
The reason I prefer this, is that a recollection is of the mind, and when a lover remembers the other, it is rare that the love is recollected as a picture on a wall. It is usually recalled as moments of togetherness (imagined or past). Hence, the fragrance that is also imagined is typically of the togetherness.
Another, rather sensuous, interpretation is:
"When I think of you, the woman in me emerges (as a fragrance)" this is in the esoteric notion of a woman smelling different when aroused (and if you have a good nose, you would know).
This interpretation too fits with the next line "And in that fragrance (i.e. the woman in me finds) being by myself is unbearable" (Mehake badan mein raha na jaaye). This might also fit with the seductive on-screen appeal that Rekha had on many viewers.
As a verse in English:
At those moments whenever you pass my mind
Each fragment in me is that fragrance you signed.
This is one of those songs which can never cease to evoke a smile. Salut to all the great artists who gave us this wonderful world of sounds and beauty.
